Schedule

The international conference Typographyday 2021, Mumbai, India with focus on ‘Hope and Typography’ is scheduled to be held online from 27th-28th, August 2021.


The schedule is as follows: . . . . . . . . . . .

Day One

Typoday 2021 Schedule Day 1:
27th August 2021


Day 1: 27th August 2021, Inaugural Session + Keynote 1

IST: 1300-1400 | USEast: 0430-0530 | USWest: 2330-0030 | UK: 0830-0930 |
EU: 0930-1030 | Japan: 1730-1830

Inaugural Session + Keynote 1


Day 1: 27th August 2021, Parallel Workshop Sessions

IST: 1400-1530 | USEast: 0530-0700 | USWest: 0030-0200 | UK: 0930-1100 |
EU: 1030-1200 | Japan: 1830-2000

Workshop Session
10 Parallel Sessions

Workshops 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Session Break 30 minutes



Day 1: 27th August 2021, Keynotes 2 + 3

IST: 1600-1730 | USEast: 0730-0900 | USWest: 0230-0400 | UK: 1130-1300 |
EU: 1230-1400 | Japan: 2030-2200

Keynote/Vision Sessions 2 & 3

Session Break 30 minutes



Day 1: 27th August 2021, Paper Session 1

IST: 1800-1930 | USEast: 0930-1100 | USWest: 0430-0600 | UK: 1330-1500 |
EU: 1430-1600 | Japan: 2230-2400

Paper Session 1
Academics

Paper 1 + 2 + 3 + 4 + 5


Paper:1
Type for Peace. A Development and International Cooperation Project

Daniela Piscitelli, Università degli Studi della Campania Luigi Vanvitelli, Italy and Francesco Caponetti, Art Direction Mina Vitale Type, Italy

Paper:2
Evolving to survive the ‘new normal’ of teaching and learning Typography during COVID-19
Manasi Keni, Rachana Sansad College of Applied Art& Craft, India

Paper:3
Towards a Typography of Place

Dale Sattler, Toi Ohomai Institute of Technology, New Zealand

Paper:4
Helvetica-like Thai typefaces: From dry transfer lettering to digital fonts

Dr. Rachapoom Punsongserm, Faculty of Fine and Applied Arts, Thummasat University, Thailand

Paper:5
Plecnik: Typeface Designed on the Basis of Hand Drawn Letters by Jože Plečnik from the Archive Collection

Alja Herlah, Type Salon, Slovenia


Day 1: 27th August 2021, Keynote Session 4

IST: 1930-2030 | USEast: 1100-1200 | USWest: 0600-0700 | UK: 1500-1600 |
EU: 1600-1700 | Japan: 2400-0100

Keynote Session 4


Day Two

Typoday 2021 Schedule Day 2:
28th August 2021


Day 2: 28th August 2021, Keynote Session 5

IST: 1300-1400 | USEast: 0430-0530 | USWest: 2330-0030 | UK: 0830-0930 |
EU: 0930-1030 | Japan: 1730-1830

Keynote 5


Day 2: 28th August 2021, Paper Session 2 (Students)

IST: 1400-1530 | USEast: 0530-0700 | USWest: 0030-0200 | UK: 0930-1100 |
EU: 1030-1200 | Japan: 1830-2000

Paper Session 2
Students

Paper 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 (10 minutes presentation)

Session Break 30 minutes


Paper:1
Designing an Interlocking Devanagari Display Font

Adarsh Malviya, IDC School of Design, India

Paper:2
Curating “Kuppai”: Research and Explorations with Found Type from Ancestral Attics

Jayasri Sridhar, National Institute of Design, Ahmedabad, India

Paper:3
Exploring ways of writing and documenting Bharatnatyam using notations

Saloni Tangal, Kingston University, London, UK

Paper:4
Synesthetes Type - An Audio reactive Typeface

Sushrut Jangid, S.P.A Bhopal, Department of Design, India

Paper:5
Asking a Shadow to Dance: Creating Poetic Spaces through Interactive Typography

Priti Pandurangan, Gramener, India

Paper:6
Balcony - A Type Family Inspired by Metal Safety Grills

Shaily Patel, Department of Applied Arts, Faculty of Fine Arts, The Maharaja Sayajirao University of Baroda, India

Paper:7
Devanagari Typeface Inspired By Gender Equality

Srishti Mitra, National Institute of Design, Ahmedabad, India

Paper:8
Understanding the development in Indian Calligraphy with focus on Devanagari

Lakhi Shreya, Indian Institute of Technology, Hyderabad, India


Day 2: 28th August 2021, Keynotes 6 + 7

IST: 1600-1730 | USEast: 0730-0900 | USWest: 0230-0400 | UK: 1130-1300 |
EU: 1230-1400 | Japan: 2030-2200

Keynote/Vision Sessions 6 & 7

Session Break 30 minutes



Day 2: 28th August 2021, Paper Session 3

IST: 1800-1930 | USEast: 0930-1100 | USWest: 0430-0600 | UK: 1330-1500 |
EU: 1430-1600 | Japan: 2230-2400

Paper Session 3
Academics

Paper 6 + 7 + 8 + 9 + 10


Paper:6
Ik Onkar Gurmukhī (
ਗੁਰਮੁਖੀ): Decoding Culture-Form Associations in Writing practice
Nanki Nath, Visiting Faculty, Vishwaniketan Institute of Design [VID], Pune, India

Paper:7
The typographic poster from local culture to the world

Mónica Acosta-Torres, Universidad Técnica del Norte, Ecuador

Paper:8
Jay Tirhuta: Rejuvenating Mithilakshar through Design

Jayant Kumar, NIFT Patna, India

Paper:9
Method Experimentation on Display Typeface Design Based on Visual Cultural Artifacts
Brian Alvin Hananto, Universitas Pelita Harapan, Indonesia

Paper:10
Typographical Investigation of Mauryan Brahmi – Origin, Evolution & Role in development of Indic and Southeast Asian Scripts

Ankita Roy, Indian Institute of Technology, Hyderabad, India


Day 2: 28th August 2021, Keynote 8 and Closing Notes

IST: 1930-2030 | USEast: 1100-1200 | USWest: 0600-0700 | UK: 1500-1600 |
EU: 1600-1700 | Japan: 2400-0100

Keynote Session 8 + Closing Notes